From the Grand Siècle to contemporary interiors, I create spaces that unite historical character with modern comfort — places to live in as much as to admire.
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My eye was shaped in the heart of museums, art galleries and great historical residences — remarkable places where architecture, furniture and the decorative arts converse with a grace and fluidity that feel self-evident. It is this natural harmony, this aesthetic precision, that I strive to bring to every project I undertake.
After completing a degree in management, my career first took root in the exclusive world of haute couture and fine leather goods. Working alongside these houses of excellence, I developed an absolute attention to detail and the delicate art of presentation. Driven by a passion for history and architecture, I subsequently chose to place my expertise at the service of a leading public institution devoted to the preservation of French heritage.
Today, I bring these two cultures into dialogue — the uncompromising standards of luxury and the depth of our architectural heritage — to create unique spaces. My ambition is to design interiors where the spirit of the great French decorative traditions is embodied in a vision that is resolutely alive, warm and rooted in its time.
My decorative vocabulary draws from the source: Louis XIV, Régence, Louis XV, Louis XVI, Empire. I do not reproduce a period style — I extract its proportions, rhythms and refinements to compose interiors that carry this heritage with elegance.
A historical décor that constrains its inhabitants is not a good décor. Behind every panel, I think storage; behind every enfilade, I think circulation. Beauty must be as simple to live with as it is pleasant to look at.
Proportions, the scale of mouldings, the grain of a fabric, the exact shade of an off-white — the details that are invisible in isolation are those that, together, create the self-evidence of a fully realised space.
My projects are born of a conviction: the great French decorative traditions carry a language of proportion, light and material capable of giving an interior a presence and coherence that no generic style can offer. Yet a home cannot function like a period set. Integration of modern amenities, concealed storage, seamless circulation: I ensure that historical elegance serves everyday life, never the other way around.
Joinery, panelling, decorative painting, period hardware, designer textiles — every component of an exacting décor requires specific expertise. I work with a network of artisans and suppliers selected over the years for the quality of their execution. From the initial sketch to the final curtain rod, I personally ensure that every finish lives up to the decorative intent.
Everything begins with an in-depth conversation: your desires, your way of living, the references that speak to you, the atmosphere you are looking for. I visit the site to grasp the character of the space, its volumes, its light and its potential. From this raw material, I present the first directions: mood boards, layout sketches, the overall spirit of the project.
With the broad lines agreed, the project takes precise shape: floor plans, elevations, bespoke joinery drawings, selection of materials, colours, textiles and finishes. Every choice is made so that the décor forms a coherent whole, from the tint of a wall to the hardware on a door.
I coordinate all trades and maintain rigorous aesthetic oversight throughout the build, from the first intervention to the final adjustment. The goal: that the finished result is in every respect faithful to the project's intent.
The Grand Siècle imposed a monumental decorative vocabulary: absolute symmetry, sumptuous gilding, polychrome marble and ceremonial furniture. Versailles is its supreme embodiment.
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A transitional period between the grandeur of Louis XIV and the grace of Louis XV, the Régence softened lines and introduced asymmetry, shell motifs and arabesques into interior decoration.
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The Rocaille triumphs: curves and counter-curves, floral motifs, carved and gilded wood, shimmering fabrics. Intimacy takes precedence over ceremony, and comfort becomes a virtue.
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A return to straight lines and antique vocabulary: tapered legs, fluting, laurel garlands and medallions. A refined elegance that heralds neoclassicism.
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Napoleon imposed a martial, triumphant décor inspired by Antiquity: solid mahogany, gilded bronzes, Egyptian motifs, eagles and laurel wreaths. Power in the service of aesthetics.
Read articleWhether you wish to rethink a single room, compose a décor inspired by a particular era or design a complete interior, everything starts with a conversation. The first exchange is free and without obligation.
Decorating a single room or an entire home
A decorative renovation project
One-off advice on colour, furniture or material choices
Projects in France or abroad